Fifteen stills, cut two ways — a widescreen version for dropping onto a timeline, and a separate vertical reel built around stacked panels and left-to-right pans.
This is a different edit, not a reframe. Ten of the fifteen shots are landscape, and
cover-cropping those into a tall frame throws most of the machine off screen. So the reel
only ever shows a landscape shot two ways — panning across it at full height, or stacked in a
panel shaped to the photo. Nothing that matters gets cropped.
The reel, beat by beat
Zoom punch — portrait line-up, full bleed
Lateral pan — hero tracks left to right
Stack triptych — three shots in from alternating sides
Whip swipe — portrait single
Polaroid cascade — prints rain down into a pile
Lateral pan — across the crew, all three in view
Duo split — two panels push in from opposite sides